What Would It Mean To Win?
from 16:30 to 17:10
|Where||Seminar Room, CSDS|
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Language: English Length: 40 mins Curated by Alana Victoria Hunt Venue: Seminar Room, CSDS Date: 14th March, 2008 Time: 4:30 pm
“What Would It Mean To Win?” was filmed on the blockades at the G8 summit in Heiligendamm, Germany in June 2007. In their first collaborative film Zanny Begg and Oliver Ressler focus on the current state of the counter-globalisation movement in a project which grows out of both artists’ preoccupation with globalization and its discontents. The film, which combines documentary footage, interviews and animation sequences, is structured around three questions pertinent to the movement: Who are we? What is our power? What would it mean to win?
Almost ten years after “Seattle” this film explores the impact this movement has had on contemporary politics. Seattle has been described as the birthplace for the “movement of movements” and marked a time when resistance to capitalist globalization emerged in industrialised nations. In many senses it has been regarded as the time when a new social subject - the multitude - entered the political landscape. Recently the counter-globalisation movement has gone through a certain malaise accentuated byb the shifts in global politics in the post 911 context.
The protests in Heiligendamm seemed to re-assert the confidence, inventiveness and creativity of the counter-globalisation movement. In particular the five finger tactic – where protesters spread out across the fields of Roctock slipping around police lines – proved successful in establishing blockades in all roads into Heiligendamm. Staff working for the G8 summit were forced to enter and leave the meeting by helicopter or boat thus providing a symbolic victory to the movement.
“What Would It Mean To Win?” as the title implies, addresses this central question for the movement. During the Seattle demonstrations “we are winning” was a popular graffiti slogan that captured the sense of euphoria that came with the birth of a new movement. Since that time however this slogan has been regarded in a much more speculative manner. This film aims to move beyond the question of whether we are “winning” or not by addressing what would it actually mean to win.
When addressing the question “what would it mean to win?” John Holloway quotes Subcomandante Marcos who once described “winning” as the ability to live an “infinite film program” where participants could re-invent themselves each day, each hour, each minute. The animated sequences take this as their starting point to explore how ideas of social agency, struggle and winning are incorporated into our imagination of politics