This 4 x 5 ft vinyl board was placed at the entrance to the main exhibition area. Here text and image were used to produce a world of sound.  These include field notes, transcriptions of recorded interviews, advertisements and notices from old film trade magazines, old song books, and rare cassette covers. We get an insight into the relational world of sound and image, of music and sound, of the written word and sound. This is a world of jazz, thumri and Bhojpuri films, of lyricists, sound recordists, and dubbing artists, of film music and classical music events, of Vividh Bharti and FM Radio, and of Rabindra Sangeet, Balgandharva and Gauhar Jaan.



From postings, reports and archival submissions by:
1. Brajesh Kumar Jha , Hindi Cinemayee Geet Aur Uska Bhashayee Safar (The Language Journeys of Hindi Cinema)
2. Budhaditya Chattopadhyay, Story of a Forgotten Melody: Restoring the Sound of Bishnupur Gharana
3. Dripta Piplai, Documenting Tunes: Towards an Archiving of ‘Multiple Traditions in Rabindrasangeet
4. Lal Bahadur Ojha, Bhojpuri Cinema ka Vikas: Ek Partal (An Analysis of the Development of Bhojpuri Cinema
5. Naresh Fernandes, Jazz Goes to Bollywood
6. Naresh Kumar, Festival of Music in the City of Sports: The Harballabh Sangeet Mela of Jalandhar
7. Prashant Pandey, Documenting the Contemporary History of the Making of the Hindi Film Song
8. Urmila Bhirdikar, The Relationship between the Production and Consumption of Thumri and Allied Forms: The Female Impersonator, Bal Gandharva.