Skip to content.

S A R A I


« November 2012 »
Su Mo Tu We Th Fr Sa
123
45678910
11121314151617
18192021222324
252627282930
 
You are here: Home Research Media City Field Notes Film City
Document Actions

Film City


Arguably, the cinema has been the most important audio-visual form of the 20th century. Although it is periodically jeopardized by the emergence of newer technologies for the relaying of sounds and images, it still seems to hold a special place in the life of societies. We would like to document the material and imaginative conditions of the film experience: going to the cinema or a film society screening, seeing a film on video, TV or the internet, how does it all happen? We want to put together information about the various processes involved in making a film, getting it into the film halls and the other places you can and do watch movies, and we want to know what the whole activity means to people, and what they do with it in their lives.

    * "I am a Bachelor to your Ryan's daughter"; Quoted from an interview with Mr. Rajesh Khanna, Proprietor Chanakya Cinema by Puloma Pal

    * Labouring for The Cinema; S.M. Faizan Ahmed

    * How To Sell Popcorn; Puloma Pal

    * Gundagardi Near Cinema Halls; Bhrigupati Singh

    * Robin: A Cinema-Hall as my Neighbour; S.M. Faizan Ahmed

    * Film and Cinema in the Contemporary Media Landscape; Ravi Vasudevan

    * Story of the Eros Cinema; Khadeeja Arif

    * Story of A makeup man: Ravi Dada; Debashree Mukherjee

    * Ticket During Emergency; S. M. Faizan Ahmed
   
    * Story of a Script writer: Shriprakash; Ankur Khanna
   
    * Pop In: Video Library At Zakir Nagar; Khadeeja Arif

    * The Multiplex Makers: Meeting Morphogenesis; Anand Vivek Taneja

    * Multiplex Imaginations; Puloma Pal

    * Policing The Networks And Practices Of Video; Mayur Suresh

    * Making Of Johny Johny, Yes Papa; Debashree Mukherjee

    * Profit Maximisation (Re)cycling Reels; Debashree Mukherjee
Page 1 of 1.

CreditsDisclaimer | Getting involved |  Contact Us