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Film City and New Media Essays

by film scholars from India and elsewhere

  • The political culture of address in a `transitional' cinema: Indian popular cinema
Ravi Vasudevan

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  • Nationhood, Authenticity and Realism in Indian cinema: the double take of modernism in the work of Satyajit Ray
Ravi Vasudevan

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  • Another history rises to the surface: melodrama theory and digital simulation in Hey Ram (Kamalahasan, 1999)
Ravi Vasudevan

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  • CINEMA AS A SOCIAL SPACE: UNDERSTANDING CINEMA-GOING IN BRITAIN, 1947-63
Christine Geraghty

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  • IS THERE A PUBLIC IN THE CINEMA HALL?
S V Srinivas

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  • SILENCE IN THE LOUDSPEAKERS Or - why, with Dolby Sound in films, it is the film which is listening to us
Michel Chion

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  • BEYOND THE NATIONALIST PANOPTICON: THE EXPERIENCE OF CYBERPUBLICS IN INDIA
Ravi Sundaram

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