Film City and New Media Essays
by film scholars from India and elsewhere
- The political culture of address in a `transitional' cinema: Indian popular cinema
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- Nationhood, Authenticity and Realism in Indian cinema: the double take of modernism in the work of Satyajit Ray
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- Another history rises to the surface: melodrama theory and digital simulation in Hey Ram (Kamalahasan, 1999)
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- CINEMA AS A SOCIAL SPACE: UNDERSTANDING CINEMA-GOING IN BRITAIN, 1947-63
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- IS THERE A PUBLIC IN THE CINEMA HALL?
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- SILENCE IN THE LOUDSPEAKERS Or - why, with Dolby Sound in films, it is the film which is listening to us
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- BEYOND THE NATIONALIST PANOPTICON: THE EXPERIENCE OF CYBERPUBLICS IN INDIA
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